Photoset

whitecolonialism:

Residents of Nabi Saleh, West Bank, 2013. 
Peter van Agtmael

The portraits above are of Palestinians who live in Nabi Saleh, West Bank. Residents of Nabi Saleh have been protesting Israeli occupation of Palestinian land every Friday after midday prayers since 2009. 

Quote
"She does not know her beauty. She thinks her brown body has no glory. If she could dance, naked, under palm trees, and see her image in the river, she would know. But there are no palm trees on the streets and the dishwasher gives back no image."

— Nina Simone - Images (via iyaricorazon)

(Source: themiseducationoflife, via cantkeepyoureyesoffmyfatty)

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theamazingindi:

soyonscruels:

did anyone else see the edward snowden interview in the guardian about two days ago where he said that most of the NSA agents doing checks through people’s data are men aged 18-22 and that when they access photographs of attractive women naked they all send them to each other for reasons that are 100% not professional

like, if you have naked selfies on your phone, even if you have never sent them to anyone or moved them anywhere, these fucking mouthbreathers could be downloading them and sending them to all their friends

this is real and very frightening

(via willnobilis)

Photoset
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jeffreyscales:

A Young Child Named Maya Rudolph
In 1975 I had just come off a brief tour I was on with a band that was opening for Joe Walsh, when Irving Azoff’s company, Frontline Management, which managed Walsh suggested I’d be a good fit to tour with Minnie Riperton.
They were right; when I met Minnie I felt I’d met a long lost older sibling, and would continue working for her after she left Azoff’s management, and throughout the remaining years of her career.
Besides a voice seemingly from heaven, she had the most delightful family as well. Her two children Marc, and Maya were a joy, and her husband, Richard Rudolph, who still to this day, is one of nicest people you could ever meet.
I was just in my early 20’s, toting around a Hasselblad camera wherever I went. When I was working as Minnie’s tour manager, I rarely had the time, or situation to formally photograph her. Although I always had my camera, I was still a very young photographer, and had not yet developed the skills to capture what it was I saw in her, so my collection of photographs of her is limited.
However, during our off time off from touring, I was often at their home around her family and photographed Maya frequently. Most children get very antsy in front of a camera, but she seemed to be fascinated with the photographic process. She held a firm gaze and always seemed to be studying this photographic process very closely, so I’m not at all surprised that she’s become one the finest comedic actors working in front of a camera today.
I’m also not surprised that Maya found her way into comedy. What few people may know about her mother is that Minnie was one of the most hilarious women you’d ever meet. She had a wry, even ribald wit that would totally disarm the coolest of characters, the biggest record producers, and the most pompous industry executives of the day.
Maya was five or six years old in this photograph. It was taken at their home in Westwood, CA near the UCLA campus. Maya in her swim suit, sitting in front of the TV with a vintage cable TV box, near a baseball bat & glove, while Minnie in one of her flowing dresses steps out of frame right, and “Sparkle” their devoted Standard Poodle slips by behind her. 
This photograph captures so much of the special warmth, and familial connection I experienced at their home during those days. They were a very special family, whom I will always appreciate how generously they brought me into their lives. 
 

jeffreyscales:

A Young Child Named Maya Rudolph

In 1975 I had just come off a brief tour I was on with a band that was opening for Joe Walsh, when Irving Azoff’s company, Frontline Management, which managed Walsh suggested I’d be a good fit to tour with Minnie Riperton.

They were right; when I met Minnie I felt I’d met a long lost older sibling, and would continue working for her after she left Azoff’s management, and throughout the remaining years of her career.

Besides a voice seemingly from heaven, she had the most delightful family as well. Her two children Marc, and Maya were a joy, and her husband, Richard Rudolph, who still to this day, is one of nicest people you could ever meet.

I was just in my early 20’s, toting around a Hasselblad camera wherever I went. When I was working as Minnie’s tour manager, I rarely had the time, or situation to formally photograph her. Although I always had my camera, I was still a very young photographer, and had not yet developed the skills to capture what it was I saw in her, so my collection of photographs of her is limited.

However, during our off time off from touring, I was often at their home around her family and photographed Maya frequently. Most children get very antsy in front of a camera, but she seemed to be fascinated with the photographic process. She held a firm gaze and always seemed to be studying this photographic process very closely, so I’m not at all surprised that she’s become one the finest comedic actors working in front of a camera today.

I’m also not surprised that Maya found her way into comedy. What few people may know about her mother is that Minnie was one of the most hilarious women you’d ever meet. She had a wry, even ribald wit that would totally disarm the coolest of characters, the biggest record producers, and the most pompous industry executives of the day.

Maya was five or six years old in this photograph. It was taken at their home in Westwood, CA near the UCLA campus. Maya in her swim suit, sitting in front of the TV with a vintage cable TV box, near a baseball bat & glove, while Minnie in one of her flowing dresses steps out of frame right, and “Sparkle” their devoted Standard Poodle slips by behind her.

This photograph captures so much of the special warmth, and familial connection I experienced at their home during those days. They were a very special family, whom I will always appreciate how generously they brought me into their lives.

 

(via theoriginalblaqueronin)

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howtobeafuckinglady:

THIS IS GLAMOUR YOU’LL NEVER BE GLAMOUR 

howtobeafuckinglady:

THIS IS GLAMOUR YOU’LL NEVER BE GLAMOUR 

(via howtobeterrell)

Tags: gif
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thebeginningofneverending:

blacksupervillain:

anarcho-queer:

U.S. Democrats plan to give Israel an addition $225 million for military spending. The same bill also cuts $1 billion of emergency funds meant to deal with the 50,000 undocumented child migrants held in crowded and unsanitary border facilities.
Israel already received $504 million for the joint U.S.-Israel Missle Defense Program for the Fiscal Year of 2014. That is not including the $3.1 Billion the Obama Administration spent on Foreign Military Financing (FMF) for Israel for the Fiscal Year 2014.

Fuck this

This makes me really, really mad

thebeginningofneverending:

blacksupervillain:

anarcho-queer:

U.S. Democrats plan to give Israel an addition $225 million for military spending. The same bill also cuts $1 billion of emergency funds meant to deal with the 50,000 undocumented child migrants held in crowded and unsanitary border facilities.

Israel already received $504 million for the joint U.S.-Israel Missle Defense Program for the Fiscal Year of 2014. That is not including the $3.1 Billion the Obama Administration spent on Foreign Military Financing (FMF) for Israel for the Fiscal Year 2014.

Fuck this

This makes me really, really mad

(via vaporwave-van-gogh)

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cashmerethoughtsss:

fuckyeahfamousblackgirls:

Naomi Campbell calls out the fashion industry for being racist: "We’re all aware that we need to introduce more women of colour….It’s not for myself, but the younger girls who come up to me and say ‘We didn’t get used this season, we didn’t do this, someone used 81 models and didn’t use one of us.’ In that respect if they come up and talk to me, and I’m able to speak on their behalf then I will…"

speak

cashmerethoughtsss:

fuckyeahfamousblackgirls:

Naomi Campbell calls out the fashion industry for being racist: "We’re all aware that we need to introduce more women of colour….It’s not for myself, but the younger girls who come up to me and say ‘We didn’t get used this season, we didn’t do this, someone used 81 models and didn’t use one of us.’ In that respect if they come up and talk to me, and I’m able to speak on their behalf then I will…"

speak

(via angrywocunited)

Link

thepoliticalfreakshow:

The last abortion clinic in Mississippi has been on the brink of closure for nearly two years. But the fight to shutter the Jackson Women’s Health Organization may have ended Tuesday, when the Fifth Circuit Court of Appeals struck down the strict anti-abortion measure that would have closed its doors forever.

The court fight to save the clinic began in 2012, after state lawmakers passed a bill requiring abortion providers to have admitting privileges at a local hospital—or else face criminal charges. Restrictive anti-abortion bills had already closed several clinics in the state, and, had the Fifth Circuit not ruled against the state, Mississippi waspoised to become the first state since Roe v. Wade without a single abortion provider.

Attorneys for the Jackson Women’s Health Organization argued that admitting privileges were unconstitutional and not medically necessary for the safety of its clients. (The clinic, after all, already had a patient-transfer agreement with a local hospital for rare cases in which a patient required hospitalization.) A federal judge was receptive to this argument and blocked the law from going into effect; in response, the state of Mississippi appealed the ruling to the Fifth Circuit.

Take a look inside Mississippi’s last abortion clinic.

Amid the legal wrangling, the Jackson Women’s Health Organization attempted to obtain admitting privileges to comply with the law. As Mother Joneshas reported, all seven hospitals where the Jackson Women’s Health Organization was eligible for admitting privileges turned the clinic down. This was partly because its providers travel to Mississippi from out of state, and partly because hospitals refused to be associated with abortion.

As Mother Jones reported in 2012:

The doctors’ applications have been rejected by every hospital they’ve approached. Two hospitals wouldn’t let them apply at all. Five others denied the applications for “administrative” reasons, before even completely reviewing the doctors’ qualifications. Their rejection letters cited their policies regarding abortion and “concern about disruption to the hospital’s business within the community.” The clinic wrote follow-up letters to make sure the hospitals understood that the doctors were only seeking privileges to comply with the new law and wouldn’t actually be providing abortions at the hospital, but no dice.

Abortion rights advocates feared that the Fifth Circuit would be hostile to such claims. A three-judge panel on the Fifth Circuit upheld a very similar Texas law in March. Appeals courts in the Fourth and Eighth Circuits have also upheld admitting privilege laws.

But on Tuesday, the appeals court ruled, “Mississippi may not shift its obligation to respect the established constitutional rights of its citizens to another state.” It is not yet clear if the state will appeal to the US Supreme Court. But the decision—short of intervention from high court—means the clinic will remain open for the foreseeable future.

Source: Molly Redden for Mother Jones

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zuriya:

this isn’t shade to anyone, but yall need to stop acting surprised when your fave celebs fuck up. they’re part of a ruling class who are thoroughly isolated from concrete global issues and catastrophes and actually rely on the disenfranchisement of others to sustain their status. their entire persona is inherently problematic as ultimate beneficiaries of capitalism. what ethics do you expect, idgi

(via reverseracism)

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